Artist: Local Natives
Album: Hummingbird
Label: Frenchkiss
Records
Release Date: January
29th, 2013
Review by: Sean
Kayden
Three years ago, a little known
band from Silver Lake released their powerfully emotive, pop rock-induced
record, “Gorilla Manor” to the masses. Early comparisons were drawn from bands
such as The Dodos, Fleet Foxes, and Grizzly Bear. Sonically lush with terrific
harmonies, undulating guitar riffs, and thoughtful lyrics, Local Natives were
onto something few bands could say with just one album under their belt. Flash
forward to present day, the West Coast rockers headed east to record their
follow-up LP, “Hummingbird.” With the overwhelming buzz settling down, the departure
of a band member, health problems striking down on some of the members, and singer
Kelcey Ayer’s mother passing away, the band was determined to rebound through
adversity. Through fortitude, Local Natives crafted a wholly introspective and
utterly sensitive sophomore record. “Hummingbird” is epically beautiful with
its delicate arrangements, spiritual undertones, and melancholy sound. It never
feels forced or strained, only completely organic and entirely sincere. Local
Natives are hoping to be one of the elite rock bands of their generation with a
defining sound they can easily call their very own.
Now a quartet of three
singer/multi-instrumentalists and a drummer, the band recorded a much darker,
deeper album than their debut had to offer. “Hummingbird” is more a controlled
effort but presents very rich, unconventional instrumental textures. When touring with the band The National
a few years ago, Local Natives befriended the group’s Aaron Dessner, who
co-produced this latest effort. It was the perfect setup given The National’s
proclivity for dark, brooding, emotive music. While Local Natives still express
some buoyancy, the endeavor differs much from the days of “Gorilla Manor.” The
four-piece rock act enchant with their memorable choruses and tender melodies.
The standout track and climax of the album is “Columbia.” It was written
through the somberness and despair of the passing of Ayer’s mother. “Columbia”
is brutally heart wrenching and devastatingly beautiful. With lyrics are like
“Am I giving enough? /Every night I am asking myself, am I loving enough?” it’s
easily the most compelling, thoughtful, and well-written songs the band has
ever made.
With songs like “Black Balloons”
and “Wooly Mammoth,” the band brightens up just a bit. They’re not as solemn or
fragile as the other songs but still strong tunes to complete the eleven-track album.
“Breakers” is a soaring track that starts with a 30 second intro of howling
guitars and catchy drums beats before it explodes with grand arrangements
accompanied by “oohs” to fiercely escalate it to new heights. It slows down a
bit and the vocals kick in, but it’s the chorus that brings the song to into a
freshly new environment. At the end of the album, I was emotionally exhausted
in the best way possible way. “Hummingbird” is absolutely gorgeous in every
aspect of production. Compassionate, deeply expressive, and vastly heartfelt,
Local Natives didn’t just meet expectations, they surpassed them in an
unbelievable fashion. Clearly put, the record is dazzling from start to finish
that clearly validates the boys’ long lull between records. However, even with
the elongated gap among the albums, “Hummingbird” stands as a truly
extraordinary piece of music that will be difficult to match by any artist this
year.
Grade: 9.5 out of 10
Key Tracks: “You and
I”, “Ceilings”, “Breakers”, “Mt. Washington”, “Columbia”
Published by Mountain Views News on February 9th, 2013
http://mtnviewsnews.com/v07/htm/n06/p11.htm
http://mtnviewsnews.com/v07/htm/n06/p11.htm
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